Saturday, September 8, 2012

Travelogue: sweetness of each steps (and calories)


Traveling alone in an unfamiliar cities or hiking alone on the mountains, my mind wonders, escapes to some other reality, at times leaving utterly blank inside me, and returns with most unpredictable thoughts, silently conversing with others around me or with myself. I kept a little card stock with me when I traveled to Spain and Switzerland more than a decade ago. Along with the card stock was a tiny pedometer at my hip, counting each steps I made while traveling. I recorded the steps, mileages, and calories, and wrote whatever it was on my mind. On the other side of each card, I made drawings (see Experiment Diary/Drawings 1 & 2.) Later, I decided to refine what I wrote, and typed with an old typewriter on the found paper. Now, more than a decade later, all the details of the particular places and the feelings I was experiencing at that time still come back to me vividly when I read them. It is strange though, because things that I remember, I'm not sure if it was real or if I imagined. It’s like a diary, but sometimes it’s purely imaginable. These notes are my fleeting mind when I was traveling.


































Saturday, July 7, 2012

Songs My Father Sang Me from "Dear John"

Unearthing more old works. Not sure if this is a sign of resisting to finish my current drawing which has taken me over five months... But it's fun to dig up old works and see them in a different light. This particular work was done over two years from 1998 through 2000 with a year break in the middle. It was created when I was having a personally difficult time in my life. These book pages became my own diary then. Most of them were created while I was at the residencies at MacDowell Colony in New Hampshire and Centrum in Washington from 1998 to 1999.

Dear John \ - jän\ n (ca. 1945) : a letter (as to a soldier) in which a wife asks for a divorce or a girlfriend breaks off an engagement or a friendship.

"Dear John" is comprised of a total of 152 pages from a book called "Stories by Elizabeth Bowen", published in 1959. Each page is painted in watercolor, leaving selected words and sentences visible. Watercolor on book pages mounted on BFK paper. 152 pages. Originally presented in an installation. 1998-2000. 







 



















Friday, July 6, 2012

On the skin

While digging up some old works yesterday, I found this series. This series must have been first created... maybe almost ten years ago? Then, the text was added five or six years later... something like that. Mineral pigment and text from old books on Japanese paper. 6"x 6" each. Total of seven drawings. I love using texts from old books.

























Thursday, May 3, 2012

Shoe Collections

Shoe, shoe, shoe, women can never have enough shoes.

Black beauty: Detail from Splendor of Amazing Boys, Girls and Animals #1


Here's another shoe


Sexy one: Detail from Splendor of Amazing Boys, Girls and Animals #6


Looking sexy on the podium: Detail from Splendor of Amazing Boys, Girls and Animals #6


Heels for baby: Detail from Unknown Transgenic History #6


And just the killer heel! Detail from Transguccilation

Wednesday, May 2, 2012

Hop into the spring, bunnies!

Here is a collection of bunnies in my drawings. Bunnies used to make their appearances in my drawings quite often.


Danse du Ventre


Conspiring Gaiety


Detail from Splendor of Amazing Boys, Girls and Animals #2


Detail from Splendor of Amazing Boys, Girls and Animals #4


Detail from Splendor of Amazing Boys, Girls and Animals #5


Bunny Talk #1


Bunny Talk #4

Wednesday, April 18, 2012

Doolin’ in N’awlins


I love traveling. I love doodling. And I love drinking a nice cold beer on the hot day. When all these three things happen at the same time, I see the beauty and I feel the happiness. This doodling action took place in New Orleans in the beginning of this month. I lOVED N’awlins!


At Croissant D'or Pattisserie on Ursulines Ave.





Dooling is always better if it's accompanied by a glass of cold beer!



Up close and personal



At the Royal House Oysters Bar on Royal Street. Doodling gets even better with oysters!



Oysters on the half shell and beer - Best accompanyment for doodlin'



I love this statement. Window sign on Camp Street.

Thursday, March 1, 2012

BLUE: Last Day

Tomorrow is the last day of the exhibit. I’m so grateful to have had this opportunity to play and create in this space. It’s been fun to see all my works coming together with such diverse styles. There are drawings (pen, mineral pigment and ink), site-specific installation with Elmer’s poster tack on painted walls, and another site-specific installation using the overlay maps from the US Army Air Defense School in the late 50s, artist’s tapes and Elmer’s poster tack. All these pieces relate to water, but visual effects and also contexts are dramatically different from one another. The color of blue was a key element throughout all these pieces visually. Many people told me that they find it soothing and relaxing, despite some rather disturbing images of intestines and organs in details. I was glad to hear that.

People at the Women’s Studies Research Center were really engaging and supportive. Feminist scholars rock! Many of them gave me really insightful feedback, asked me interesting questions and gave me much encouragement by saying that my show was a top-class! Wow. That was so sweet. These words help keep me going. So did all my friends, family and colleagues who came to see the exhibit. I’m just grateful for all the support―Thank you all! I was also happy that my parents came from Japan to see this exhibit.


Michele L'Heureux tweaking the lights before the show opens.
In addition, I truly enjoyed working with the curator, Michele L'Heureux. She is also a great artist. She was patient with me when I told her that I wanted to show my new work (when I didn’t even have a new body of work), and she was very understanding of the needs of working artists as she herself is one. I had submitted a different body of work as a proposal two years ago, and the selection committee accepted it. But I didn’t want to show those works anymore. She let me postpone the exhibition time because I also got really busy with my new work at Brandeis University. (Coincidentally, I was hired as a senior program coordinator for the Program in Peacebuilding and the Arts at Brandeis University shortly after I learned about their acceptance of my proposal.) She made more studio visits to see my slow progress and told me to keep working. So, I really appreciate her flexibility, understanding and support all along the process. All and all, I’ve had a great experience with this show. Artist’s tapes and Elmer’s poster tack didn’t disappoint me either, and they stayed on the wall too!

Check out the images from this exhibit, BLUE on my website. See the exhibit catalog.



Exhibition overview

With Shula Reinharz, the Director of the Women's Studies Research Center and
Michele L'Heureux, the Curator for the Kniznick Gallery at WSRC.