"No man's land' - installation for the Open Studio. Still work in progress.
Small drawings: Mixed media on paper (mineral pigment, watercolor, walnut ink, water-soluble crayon, micro pigment pen, and tea) 7 1/2" x 7 1/2" 2014 - ongoing
Large painting: Mineral pigment on Japanese paper (Kumohada mashi) over panel, 20"x 20" 2016
Thursday, June 2, 2016
Saturday, May 28, 2016
Work in Progress at the Studios at MASS MoCA
I started making large versions from "No man's land" series at the Studios at MASS MoCA. The original drawing size is 7 1/2" x 7 1/2", and the enlarged version is 20"x 20". Prior to my residency, my friend Gregg shipped two of the 20"x 20" panels for me, encouraging me to go bigger. He gave me homework and I was ready to start as soon as I got to the Studios at MASS MoCA.
Gregg wrote;
"Make them big and blast them in to the world! In the time from now until you get the panels, think about various methods and materials to assist in enlargement, how to approach a larger scale with your body, what tools and how to use them, best glue to laminate the paper to wood or whatever, what music to play as you dance your work into being, should you seal all wood (front, back, sides) before starting, what clothes would best be worn to facilitate creation, how much fun and pleasure you will derive from doing this work."
This advice along with a surprised gift from Gregg made me dance in the studio.
Gregg wrote;
"Make them big and blast them in to the world! In the time from now until you get the panels, think about various methods and materials to assist in enlargement, how to approach a larger scale with your body, what tools and how to use them, best glue to laminate the paper to wood or whatever, what music to play as you dance your work into being, should you seal all wood (front, back, sides) before starting, what clothes would best be worn to facilitate creation, how much fun and pleasure you will derive from doing this work."
This advice along with a surprised gift from Gregg made me dance in the studio.
Here are the beginning stage. The large version is done in mineral pigment.
And still work in progress, but here's the big brother and little brother.
Sunday, May 8, 2016
Studios at MASS MoCA
I wonder if there were factory workers’ spirits at the Studios at MASS MoCA. I was at the residency there for two weeks in April. The Studios at MASS MoCA is a residency program for working artists organized by the museum’s Assets for Artists Initiative.
While I was at the Studios at MASS MoCA, I was working from morning till late night, as if cranking up many hours on my invisible timesheet. I worked quietly like a cat, listening to my neighbors making noise and any sounds from outside. My studio windows overlooked adjacent brick building. It wasn’t exactly a view – or maybe not a view at all, but it provided a nice consistent natural light coming from the windows. I liked seeing the weathered bricks on that building.
It was a privilege to be on the MASS MoCA
campus. The 16 acres of the MASS MoCA ground was once a booming one
factory-campus, going back to the colonial period in the late 1700s with
wholesale shoe manufactures; a brick yard; a saw mill; cabinet-makers; hat
manufacturers; machines shops; marble works; wagon and sleigh makers and so on.
From 1942 to 1985, Sprague Electric Company
operated their business while making extensive modifications to the interiors
to convert the former textile mill into the state-of-the art electronics plant
but leaving the most of the building exteriors as they were. Sprague
physicists, chemists, electrical engineers, and technicians were called upon by
the U.S. government during the World War II to design and manufacture crucial
components of some of its most advanced high-tech weapon system. To my dismay,
this included the atomic bomb. Spague was a major research and development
center at that time, employing 4,137 workers by 1966. But as many of the
manufacturer companies in the U.S. were forced to close their business from
declining sales due to overseas competition for lower-price, Sprague was not an
exception. The company closed its operations in North Adams in 1985.
MASS MoCA sits on this 16 acres of grounds
that is rich with history and operates in these historical 19th
century former mill buildings. The brick buildings reveal many different
generations of their former occupants. It is also wonderfully complex with
strange pathways to connect buildings. But one of the most wonderful things
about MASS MoCA is the ginormous space for artwork. It is both spectacular and
breath taking, at the same time, it is also challenging and scary for many
artists, especially the football field length gallery space.
*Historical information was taken from MASS MoCA's website:
Saturday, April 9, 2016
Thursday, April 7, 2016
Work in progress - "No man's land" series
Monday, March 28, 2016
Sunday, January 10, 2016
Subscribe to:
Posts (Atom)






