Tuesday, March 7, 2017

Origami Ankyo Box

折り紙ー暗渠の箱

Origami Ankyo Box: 折り紙-暗渠の箱 from Naoe Suzuki on Vimeo.

暗渠”ankyo” means streets or areas where there used to be waterways in Japanese. There are many of them in Tokyo. Many of these buried rivers became promenades while operating as sewage lines underneath, and other waterways eventually dried out after being covered. In Japanese, “ankyo” simply refers to streets that resulted from putting a lid on the waterways.

Prior to the 1964 Tokyo Olympics, the government created many “ankyo” by burying the waterways because many of the small creeks and rivers in Tokyo became dirty ditches and smelled badly. The residents complained. The government wanted to hide these bad images and smells from international visitors, so they covered these waterways. Tokyo was also in needs for more land space to create streets and highways for their rapid population growth.

During my residency at Tokyo Wonder Site, I set out to walk as many "ankyo" streets as possible, and recorded my walks with hundreds of photographs, hours of video footage, drawings and notes. 

Then I asked my mother to make Origami boxes using the printed images of my photographs. The outside images show “ankyo” streets—where rivers and waterways once existed. As you open the box, images of running water from Ochiai River and Sumida River appear.

Saturday, February 11, 2017

Tokyo Wonder Site Residency

My home for the last month at the Tokyo Wonder Site Residency.


I spent much of my time at the Tokyo Wonder Site Residency exploring the streets where rivers and other types of waterways existed once. These areas are called 暗渠、”ankyo” in Japanese. Many of them became promenades, some are used as sewage lines while others were just covered and water eventually dried out. My research at the TWS was to study the buried rivers in Tokyo. Almost everyday, I put on my hiking shoes and headed out to explore these “ankyo” streets.

I became a city walker or "散歩人"in Japanese.


Harajuku, Tokyo (Shibuyagawa/Shibuya River)

Nishi Shinjuku, Tokyo (Izumigawa/Izumi River)

Nishi Shinjuku, Tokyo (Izumigawa/Izumi River)


See more photos from my "ankyo" walk on Instagram.

Read my creator profile on TWS site. (EnglishJapanese)

Friday, October 28, 2016

Data parasite? Collaborating at the Intersection of Art and Science

As the Artist in Residence at Broad Institute of MIT and Harvard, I was honored to have participated in a conversation with Todd Golub, Chief Scientific Officer, and Director of the Cancer Program at the Broad Institute. This conversation was a part of HUB Week events and hosted by Catalyst Conversations in partnership with Broad Institute. 

I enjoyed our conversation, and I was especially thrilled to hear Todd talking about the recent controversy on what is called "data parasite" in regards to my activities of tracing the writings around the Broad Institute. Sounds like I'm one of them.

Here's the video from the talk.




HUB Week Event:
Conversation: 3:00-4:00pm
Broad Institute of MIT and Harvard
415 Main Street, Cambridge, MA 02142


HUBweek is a creative festival that celebrates innovation at the intersection of art, science, and technology. Founded by The Boston Globe, Harvard University, MIT and Mass General Hospital, HUBweek is a first-of-its-kind civic collaboration that brings together the most creative and inventive minds making an impact in Boston and around the world.

Friday, September 23, 2016

Water on the molecular level - Responses from Broad Institute of MIT and Harvard

A scientist at Broad Institute of MIT and Harvard typing his response on a tea-stained Japanese paper, and more responses below. A close look at water on the molecular level by scientists. #Flow











Friday, September 9, 2016

"Flow" at Broad Institute of MIT and Harvard

Flow” was installed at Broad Institute last month, and I have been collecting some interesting responses from the participants at the Broad. You can visit the Tumblr site to see some images from this current installation and submit your story about water anytime. 


The beginning. Leveling my mind first.

Installation in progress

I couldn't finish installing before the time for tea & cookies with Broadies. Here some Broadies are engaged with the work.

Broadies are happily swapping the sheets with their typed responses. Now they get to take one of my originals home.

So many people never used or even touched a manual typewriter before. Feeling the cranky keyboards and hitting the keys were fun to many people. 






Thursday, August 25, 2016

Work in progress (Blue notebook #3)

Torn edges become the cliffs and the terrains. 

Divide. Space between. 


You must not be attached to your thoughts. Detach. 
Create a new space. Start all over.

Instagram 6/25

Saturday, August 6, 2016

Artist in Residence at Broad Institute: Working in the Conference Room


I started my Artist in Residence at the Broad Institute in April. In the beginning, I didn't have a studio that I could work on art. I was given a workstation on the second floor with windows. It was nice and worked well when I had to study for the Human Subjects test. (All the Broad employees are required to take this test and must pass. I'm happy to report that I passed with 85% score.) But I couldn't do much else and it was too confined for what I wanted to make.

So, for the first couple of months of my residence at Broad, I did what I called deep observation by walking around the Institute everyday. I wondered around the building at night and traced the writings that were left on the whiteboard. In the copy room, I started making lots of copies of what I've traced, and I took over a conference room as my studio. I spread out papers on a gigantic conference room table, started cutting, pasting and tracing the copies.

This is what I did in the conference room earlier, and some of these "sketches" are now making into much larger work. At the bottom, you'll see a short video showing how images interact from a page to another page.