Friday, December 18, 2015

No Matter



“The No Matter series is a delightful departure in seriousness and scale from Suzuki’s other recent work. On dozens of square, tea-stained pages, just 7 ½” square, the artist engages a host of questions, such as “How was your walk?” or “How was the weather?,” questions that the viewer can easily imagine asking or answering on a regular basis. These typewritten questions receive the same hand-written answer on each page: “Perfect.” The questions and answers sit in mixed-media environments, seen from an aerial viewpoint, with tea-stained lakes and elegantly drawn topographies, along with the occasional reference to weather flags and map symbols. The repetition of mundane questions and the same, loaded answer—“perfect”—speak to the rote, indifferent reply we often give or receive in response to what are typically rhetorical questions. While utilizing her impeccable rendering skills and also relying on some familiar content—water, land formations, tubes and connectors—these small works are whimsical and thought-provoking without being didactic or heavy-handed.”

-       - excerpt from an essay, “Flow” by Michele L’Heureux in the catalog: Be Water, My Friend


Tuesday, December 8, 2015

Current & Upcoming Events

Open Source Winter Fundraiser
Open Source
 is a Brooklyn based non-profit that serves as a nexus for contemporary art and local neighborhood cultures, with strong emphasis on public, socially engaged artwork, sustainable communities, and social justice.

Each year in the month of December, the Open Source Soup Kitchen brings together artists, cooks, friends, and neighbors for a month of cooking, eating, sharing and celebrating!

Open Source Winter Fundraiser is on December 11th, 2015. My small print will be available in the auction. 


Current Exhibition: Winter Works
My drawings on vintage book pages are included in Winter Works at Bromfield Gallery.
450 Harrison Ave. Boston, MA
December 2– 20, 2015.

Stereoscope from the series: Toi et Moi
Walnut ink and mineral pigment on vintage book pages, 2014


Piano from the series: Toi et Moi
Walnut ink and mineral pigment on vintage book pages, 2014

Wednesday, December 2, 2015

Be Water, My Friend - Catalogue

My catalogues are finally published!


It’s been a long coming since almost a year ago, and now it’s complete and published. Thanks to the generous support from the Pollock-Krasner Foundation, this project was made possible. 

Wenonah Hauter, Founder and Executive Director of Food andWater Watch, wrote a very inspiring essay for the catalogue. Food and Water Watch is a non-profit organization that fights for healthy food and clean water for the world, as well as confronts corporations that put profits before people. Their work continues to inspire me. 

Michele L’Heureux, Director of Beard and Weil Galleries at Wheaton College wrote a thoughtful and insightful essay about my new works, and Andrew Mroczek, Associate Director of Exhibitions at Lesley University College of Art and Design wrote a wonderful Forward for the catalogue. Michele came to my studio to see my work-in-progress and listened to my ideas and plans, and gave me feedback on what I was doing. Her advice was so valuable.

I’m so grateful for Wenonah Hauter, Michele L’Heureux and Andrew Mroczek for writing wonderful, thoughtful and inspiring essays. Many people have helped me with this catalogue along the way. I can’t thank them enough—Henri Cole, Gregg Woolard, Alice Gordon, John Chavers, and Yishay Garbasz, your help meant a lot to me.


My deepest appreciation goes to the Pollock-Krasner Foundation. Without their generous grant, this catalogue would’ve remained just another dream. 


You can order a copy online now.
Please email naoe@naoesuzuki.com if you would like to order multiple copies. 
20% off if you order by the end of 2015.



Thursday, November 26, 2015

On Thanksgiving - my gratitude and my heroes


Windcall 2015 Fundraiser
On this day, I'm feeling thankful for all the opportunities I've had to keep going as an artist. There were times I felt so beat down and didn't know how to keep it going. Blue Mountain Center has given me time and place to work on healing, rejuvenating, and getting creativity back. I don't know how many times BMC has saved my body and soul. I must also say that I am still an artist because of BMC.

BMC also hosts activists because they understand that activists need time and place to recharge their energy too. I met Ron Davis in 2011 when he was at BMC as a Windcall Institute Fellow. Windcall sends activists to BMC - a gift for these hard working people who fight everyday to make our communities better.


Ron says, "Doing community change work can beat you down. Because community change work is a passion, I kept getting back up..." then he went to BMC. You can read the rest in the story. But please consider donating whatever you can for the Windcall Institute. 

As Ron says, "Like millions of others all across the planet, we get tired but we never give up." These people are my heroes.



About the Windcall Institute:
The Windcall Institute is dedicated to nurturing transformative and resilient leadership among community and labor organizers.

Wednesday, November 25, 2015

What is your relationship with water? Part V








Some examples from the typed responses that I received during the exhibit. Participants typed on a tea-stained Japanese paper with a manual typewriter, and seems to me that many people enjoyed typing with an old manual typewriter! It was fun to hear the sound of typing in the gallery - clack, clack, clack, zzzzzzzzzzzzziiiip, clunk, clack, clack, clack, clad, shhhhhhhhhp!

Read "What is your relationship with water?" Part I, II, III & IV.

Tuesday, November 17, 2015

What is your relationship with water? Part IV


“What is your relationship with water?” is a participatory installation that I created for my exhibit, “In Solidarity” at the University of Massachusetts Lowell. 

In this installation, participants are offered a piece of original art in exchange for their thoughts on their relationship with water—an act that suggests a reciprocal relationship between the artist and the viewer, and perhaps between humans and water.

Water is an essential resource that nobody, and no thing, can live without. But what’s happening to our water is pretty scary. “What is your relationship with water?” is a simple question but a critical and timely question for all of us. It is an ongoing question that I keep asking myself.




I type this question on Japanese (washi) papers that were soaked and stained in tea/coffee and water. I type on a manual typewriter over and over to meditate on the question.

At the exhibit, participants will leave the gallery with a tea stained washi paper bearing the typed question and some marks made with mineral pigment—as an invitation to plunge deeper into this question as I have been doing, and as a reminder for a deeper appreciation for water.


Installation as of October 29, 2015. It will change as participants' typed responses replace the original sheets. After completing typing their thoughts on their relationship with water, participants select any one of the original sheet with the question to take home with them. Their responses take the spot where the question was hang. 








“In Solidarity” is open through November 25, 2015.

University Gallery at University of Massachusetts Lowell
Mahoney Hall
870 Broadway Street
Lowell, MA
978-934-3491

Gallery Hours: M-W 10am - 4pm, Thu 10am - 9pm, Fri & Sat 10am - 3pm
Closed during school breaks.

Read more about "What is your relationship with water?" Part I, II,  III, & V.

Thursday, November 5, 2015

Water, Water Everywhere?

Naoe Suzuki's Thirst for Awareness
by Taryn Plumb in artscope magazine: Nov/Dec 2015

Especially in first-world countries, water is a resource that’s very often taken for granted – it comes out of the tap, streams out of the shower, is poured into plastic bottles and driven in by the pallet-full on the back of diesel- belching trucks.

In her latest body of work, Tokyo-born artist Naoe Suzuki strives for viewers to reassess and deeply contemplate their relationship with water – in all its forms. Her works – rendered on equally fragile paper – incorporate tracings of various water bodies... read more. 

To read more, pick up a copy of the latest issue. Click here to find a pick-up location near you or Subscribe.